Saturday, 7 January 2017
Also worked on An Eye for an Aye story environments. A real struggle I must say. Really pushed myself to stay motivated and keep going with the environments.
I wanted the tree to feel like a ship because the eagle was a pirate now.
Started out with gouache and fixed some stuff in PS. This was real fun painting.
These were the cages inside the tree from which the owls would be locked up and also the cages that the boy would use as steps to get to the top.
I think I died a couple of times doing this one.
WIP - need to finish the painting, but the idea was the boy climbing up the cages to get to the top. The lighting was really tricky as I wanted to show enough to understand the shot as well as have them in eerie darkness.
Another piece I did was purely environmental with the boy crossing the tree bridge into the jungle.
The drawing perspective was pretty quick, but ideas for the background had me going crazy for a while.
Much respect to all you digital painters. I realized its not easy after all :P
Did a lot of environments and props this last semester, taking a break from getting into too much characters, for a change..
Thanks to Tim Evatt for pushing me..
But then I couldn't resist an appealing character when I got the chance
Really wanted to push myself and try this out traditionally. Was very frustrating and joyful at the same time!
Saturday, 3 December 2016
My good buddy Win Leerasanthanah asked me to write an article on Gesture Drawing for ASIFA - The international association for film and animation.
Gesture drawing is a physical and mental experience, as real as the air we breathe.Figure drawing can be used to learn a multitude of things – forms, shapes, volume, perspective, anatomy, staging, composition, caricature, straights against curves, lighting and so many other ideas. Gesture drawing at its best is very subjective to the artist and should be treated as an outlet for immediate representation of your experience at that split second. It is about jotting down your reaction to the subject matter rather than copying what you see in front of you. Without that sincerity in expressing your experience, the drawings would be life-less and might not evoke the necessary emotion in the viewer.
Self-Expression versus Perfection
If you’re very much in control of the movement, by too much control you’re concerned about the execution. ” -Bruce LeeOne of the things that helped me realize the importance of self-expression was while listening to a Bruce Lee interview where he talks about martial arts: “If you’re very much in control of the movement, by too much control you’re concerned about the execution. ” The same...
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Friday, 2 December 2016
It's been an awesome time at CTN couple weeks back, thanks again to Disney for this wonderful opportunity. It really pushed me to make my first sketchbook for sale, and it was an amazing (but exhausting) experience, and the fact that people were interested in buying it was really encouraging.
This was a cropped piece I did for a full-environment earlier this month, which I thought was a good image for a cover page.
My table at CTN T-509 filled with prints, a Batman animation flipbook, the new sketchbook and a few batman bookmarks!
Thanks again to Matt Roberts and Kelsi Taglang and so many others at Disney!
More CTN pictures later! :)
Friday, 11 November 2016
This is such a wonderful gift that I certainly had not expected !! Thank you Disney!
I had been trying to gather funds to buy tickets for CTN this year and just got the news that Disney is offering me a free table and it's a true blessing.. I'm really honored to receive this.
Do come visit at Table 509 right next to the Disney booth! :)
See you soon!!
My experience at DreamWorks had been really great, I learned a lot the past many months and I noticed an overall change in how I look at things. It's always hard to keep that balance of digging deep for more knowledge but not losing things you already had in your drawings. I'm definitely trying out some new ideas in this piece which are different from my normal mode of drawing.
Sunday, 3 July 2016
This summer, I had the amazing opportunity to be a character design intern at DreamWorks Feature for the Creative Development and Design team in Glendale. It was quite a humbling experience and the best summer of my life, literally.. A really beautiful campus with lakes, ducks and greenery, hanging out with some of the best artists in the WORLD, topped with ice-cream and free food for everyone. I couldn't have asked for more. Having lunch with greats like Joe Moshier and Marcos Mateu Mestre was a dream I couldn't even afford to dream.
I made a lot of new friends, both interns and experienced artists, and learned a lot in the three months I was there.
Got to spend some time with the amazing James Baxter and Kristof Serrand, such amazing and humble artists for even willing to spend time with me..and so many more including Simon Otto, Nico Marlet, Christophe Lautrette, Rodolphe Guenoden, Dean DeBlois, POV, Dominique Louis, and so many many more. Many thanks to them for being patient with me.
I made some amazing friends who worked with me and in other departments - Courtney, Zilai, Celine Kim and Brian Wang, who gave me a great birthday treat too! Great times, would love to work with such amazing people again, hopefully soon!
When I saw a DreamWorks logo printed on my table, I simply had to use it to make up my name haha
The real moon right next to the DreamWorks moon in the same orientation. How many times can you see that?
the dancing fish that loved all the animated films from DreamWorks too
The real deal
The first time I had the pho (pronounced fuh)
A birthday card from The great Jeffrey Katzenberg
Beautiful Dreamworks at night
We got invited to the Academy of Motion Pictures Art and Sciences. AMPAS. Where they hand you the OSCARS. Well :O
With the Legend James Baxter. Many many thanks to him for all the help he gave me. Still unbelievable how humble he is.
Director extraordinaire Dean DeBlois agreed to spend some time with me looking over my work. Such an honor. Thanked him for making Lilo and Stitch.
The Einstein of Animation - Kristof Serrand - Subtle animation at its best. Learned so much from evening breaks with Kristof.
The CDD team with art directors Zoro Rodriguez and Joe Vance, my partner Courtney, production coordinator extraordinaire David Joyner, Melissa Kim, Mariko Yamashin and me
What a great ending to such a great internship. Mango Mousse cake from a place called Porto's. Loved it.
Thank you DreamWorks for such a wonderful experience I won't forget for a long long time.